![Gone with the Wind (1939) [w/Commentary]](https://pixhost.icu/avaxhome/b6/95/003d95b6_medium.jpg)
Gone with the Wind (1939) [w/Commentary]
![Gone with the Wind (1939) [w/Commentary]](https://pixhost.icu/avaxhome/b6/95/003d95b6.jpg)
Gone with the Wind (1939)
BDRip 720p | MKV | 986 x 720 | x264 @ 2048 Kbps | 3h 53mn | 5,01 Gb
Audio: English AC3 5.1/1.0 @ 640/192 Kbps + Commentary track | Subs: English
Genre: Drama, Romance
BDRip 720p | MKV | 986 x 720 | x264 @ 2048 Kbps | 3h 53mn | 5,01 Gb
Audio: English AC3 5.1/1.0 @ 640/192 Kbps + Commentary track | Subs: English
Genre: Drama, Romance
Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.
IMDB - Top Rated Movies #159 | Won 8 Oscars
Every time I watch this film, and I've seen it more times than I can remember, I'm always astonished by the freshness of the story, the power of the emotions it conveys and the beautiful, detailed images of a time long gone. That this film was made in the 1930's is almost incomprehensible to me. The challenges that had to be overcome in order to bring it to life must have been monumental. But come to life it did, and still does! A triumph of film-making ingenuity and genius, that will live on for many generations to come.
(Enlargeable)
![Gone with the Wind (1939) [w/Commentary]](https://pixhost.icu/avaxhome/6e/91/0058916e_medium.jpg)
Gone with the Wind (1939) [w/Commentary]
![Gone with the Wind (1939) [w/Commentary]](https://pixhost.icu/avaxhome/6e/91/0058916e.jpg)
Audio Commentary with historian Rudy Behlmer. This is one of the most authoritative, yet easily accessible and unfailingly affable, commentaries ever recorded. Behlmer, unlike his frequent counterpart Drew Casper, doesn't deal in faux profundities or outright inanities, and instead imparts one fascinating fact after another about the film and the filming. I'm not sure if he was also schooled by my late mother, but he also goes into detail about the differences between the Margaret Mitchell source novel and the final film version.