One of the key albums when talking about psychedelic hard-rock and early proto-metal, originally released in 1969. Featuring the great John Cann (The Attack, Atomic Rooster, Hard Stuff…) on guitar plus Mick Hawksworth (Fuzzy Duck, Alvin Lee) on heavy bass plus the powerful drumming of Ian McLane (Neat Change, Ray Owen’s Moon). Andromeda was formed during the final days of Cann’s previous band The Attack, when he decided to go in a full heavier & proggier musical direction. Recruiting his friend/room mate Mick Hawksworth on bass plus drummer Jack McCulloch (of One In A Million, soon to be replaced by Ian McLane), the power-trio was born. After initial interest from John Peel (Dandelion) and Kit Lambert (Track Records), Cann decided to go with a major label, RCA, who offered him the chance to self-produce their first album. Recorded at Advision Studios, the impressive Andromeda debut was released in 1969, housed in a sleeve designed by John with photos by Gered Mankowitz. But despite receiving excellent reviews and the band playing lots of gigs (some of them billed above bands like Black Sabbath), RCA didn’t know what to do with such a heavy rock band.

The Fury is the seventh solo studio album by the English musician Gary Numan, originally released in September 1985, it was Numan's second release on his self-owned Numa Records label. It saw him continuing to explore the sample-heavy industrial sound that he had developed for his previous album Berserker in 1984.

Berserker is the sixth solo studio album by the English new wave musician Gary Numan, released on 9 November 1984, it was his first album to be released under Numan's own record label, Numa Records.

Strange Charm is the eighth solo studio album by the English musician Gary Numan, originally released in November 1986, it was Numan's third release on his self-owned Numa Records label. The album was not released in the United States until 1999 when it was issued in a digitally remastered form with five bonus tracks by Cleopatra Records.

Ray Charles’ recordings spanned every genre of music including Rhythm & Blues, Jazz, Rock & Roll, Gospel and Country & Western. We’re all familiar with such hits like “Georgia On My Mind.” “Hit The Road Jack” and “America The Beautiful.” But Ray’s catalog also includes a huge collection of other “classically Ray” recordings that may not be as well known such as “Come Live With Me,” “A Song For You” and many others.

The return of Funk, Inc., one of the most popular soul jazz combos of the Seventies, is a remarkable story. Formed in 1969 by organist Bobby Watley, the Indiana-based group was signed to Prestige Records two years later by producer Bob Porter. The band’s inspired blend of impassioned jazz improvisation and riveting funk grooves was given a highly enthusiastic reception by disc jockeys and record buyers across the country, as well as by critics.

Pages was an American pop rock band active during the late 1970s and the early 1980s. The band consisted of Richard Page and Steve George on vocals and keyboards supported by various studio musicians, some of whom from time to time were considered part of the band. Although Pages was highly regarded for its well-crafted pop and jazz-fusion sound, the group did not achieve commercial success, and disbanded after recording three studio albums. Pages is perhaps best known as the launching pad for the recording careers of Page and George, who later formed the band Mr. Mister who topped the charts during the mid-1980s with the hits "Broken Wings" and "Kyrie"

CHM Records (Country. Music. Heritage.) maintains a rich history of classic country and bluegrass albums and is honoring several of these legacy releases by remastering them and making them available in new formats for the first time ever. Revived from the CMH archives, the Johnny Gimble & The Texas Swing Pioneers 1980 classic album Still Swingin’ will be available for the first time ever on digital and streaming May 17. This special album draws on Gimble’s deep connection to Western Swing music, gathering an all-star cast of musicians to revisit old favorites of the genre. The collection’s closer, “Don’t Be Ashamed of Your Age,” is out now (5/3) ahead of the full release.

"Please" is a song by Irish rock band U2. It is the eleventh track on their ninth album, Pop (1997), and was released as its fourth single on 22 September 1997 by Island Records. As with "Sunday Bloody Sunday", the song is about The Troubles in Northern Ireland. The single cover for this song features pictures of four Northern Irish politicians – Gerry Adams, David Trimble, Ian Paisley, and John Hume (clockwise from top left). Two months before the release of the single, live versions of "Please" and three other songs from the PopMart Tour were released on the Please: PopHeart Live EP in September 1997.

Hampton Hawes, “For Real!” was recorded in 1958 but not released on the Contemporary Records label until 1961. Featuring Hawes (piano) alongside Harold Land (tenor sax), Scott LaFaro (bass) and Frank Butler (drums) the album incudes a mixture of both jazz standards and originals. This new edition features remastered hi-res audio from the original tapes.

Franco Tonani & Nora Orlandi "SFERE LUMINOSE" - 1970 Italian Library masterpiece reissued via Holy Basil with 4 bonus tracks. Out on June/July 2024. Unbelievable session by Nora Orlandi and legendary jazz drummer Franco Tonani with Antonello Vannucchi (of I Marc 4) at Piano\Organ, directed by Giancarlo Gazzani and Robby Poitevin. Easily the best and the most solid Italian lounge library with amazing bossa, cinematic lounge and lounge funk\beat tracks led by the superb wordless vocals of Nora Orlandi plus an uncredited male vocalist with a superb warm sound. Tracks 1-8, written by Nora Orlandi is more easy and lounge featuring, among the others, the little bossa monster PAN DE AZUCAR with superb sexy female and male scat vocals. Tracks 9-14, written by Franco Tonani, is very groovy and funky with 3 killer Morricone-esque lounge funk track with heavy drums, groovy "I Marc 4" hammond and loads of female scat vocals and chorus! Killer record, listen!

The virtues of Uchida's playing are the ones classically associated with Mozart: grace, fluidity, restraint, and a certain playful quality. Those are all on display in these performances of Mozart concertos from the 1770s, early in the composer's career. Uchida's style is more concerned with small details than with large spaces, and this puts her somewhat out of the mainstream in a work like the Piano Concertos

Analogue Productions (Atlantic 75 Series). Celebrating the 75th Anniversary of Atlantic Records!. If I Could Only Remember My Name —David Crosby's debut solo album!. 180-gram 45 RPM double LP. Mastered directly from the original master tape by Bernie Grundman. Pressed at Quality Record Pressings. Tip-on old style gatefold double pocket jackets with film lamination by Stoughton Printing.

This Spanish maestro was born in the village of Granadella, near the city of Lleida. An important figure in guitar history, he is regarded as the leading spokesman for twentieth century guitar pedagogy. He was a student of Francisco Tarrega. Emilio Pujol His musical studies began with the director of the village band who taught him the sight-singing method, solfeggio. These lessons continued and he also enrolled at the Municipal school of Music in Barcelona.

Jose Iturbi’s father built and tuned pianos as a hobby so the young José had access to an instrument from a very early age. He was one of four children and his sister Amparo (1899–1969) also had a career as a pianist. At the age of eleven Iturbi was studying piano at the Valencia Conservatory with Joaquín Malats, a friend of Albéniz.