Claudio Gabis (Buenos Aires, Argentina, March 18, 1949) is a guitarist, composer and educator, recognized as one of the founders of the rock movement in Argentina and a pioneer of blues in that country.1 Among his contributions are include those he made with the Manal trio -the first group to compose blues in Spanish-, considered along with Almendra and Los Gatos, a founding group of Argentine rock,2 in addition to being one of the best guitarists in his country.

El Regreso is a live album by Andrés Calamaro. The album title means "the return" and marks the comeback of Andres Calamaro onto the musical scene following a personal crisis that was the result of breaking up with his longtime girlfriend.
The album was recorded during shows at Estadio Luna Park in Buenos Aires.

Carlos Alberto Mestre (born August 3, 1952 in Buenos Aires, Argentina) mostly known by his stage name Nito Mestre, is an Argentine musician, founding member –along with Charly García– of Sui Generis, member of PorSuiGieco, bandleader of Nito Mestre y los Desconocidos de Siempre and a recording solo artist. Sui Generis, was initially formed in 1969 by Charly García (keyboards and vocals), Nito Mestre (guitar, flute and vocals), Rolando Fortich (bass guitar), Juan Belia (guitar), Alberto Rodriguez (drums) and Carlos Piegari (vocals). Later on, Sui Generis became a duo as everyone left except for García. After the band split in 1975, Nito Mestre formed a new band called "Nito Mestre y los Desconocidos de Siempre" with María Rosa Yorio on vocals, Rodolfo Gorosito on guitar, Alfredo Toth on bass, Ciro Fogliatta on keyboards and Juan Carlos "Mono" Fontana as a drummer. In the early 80s, Nito pursued a solo career.

Indomitable artist and unique character, Andrés Calamaro is undoubtedly one of the essential creators of popular music in Spanish, from the times with Los Rodríguez and his subsequent rise with solo albums as memorable as "Honestidad Brutal," whose direct and electric rock style seems to evoke in this new release, "Bohemio." The title track itself suggests that 'bohemian is finding meaning in things in the shadows.' And the Rio de la Plata artist applies himself to that with passionate diligence.

As one of Argentina's most popular artists, Calamaro has been rocking through various decades with his bands, Los Abuelos de Nada, Los Rodríguez, and as a solo artist.

Félix Francisco Nebbia Corbacho, better known as Litto Nebbia[1] (born 21 July 1948) is an Argentine singer-songwriter, musician and producer, prominent in the development of the early Argentine rock scene.

The Small Faces split from manager Don Arden to sign with Andrew Loog Oldham's Immediate label and, in retaliation, Decca and Arden rounded up the remaining recordings the group made for the label and released them as From the Beginning. Appearing just months before their Immediate debut - entitled The Small Faces, just like their first album for Decca - From the Beginning includes early version of "My Way of Giving" and "(Tell Me) Have You Ever Seen Me," and it reprises songs that were on the 1966 Decca LP ("Sha La La La Lee," "What'cha Gonna Do About It"), moves that muddy an already confusing situation. And From the Beginning really doesn't play as a cohesive album by any stretch of the imagination, as it opens with a burst of burgeoning psychedelia then doubles back to the group's early R&B, flaws that matter less as years pass by because, on a track by track basis, there is a lot of wondrous material here…

Serú '92 is the fifth and last studio album by the Argentine musical group Serú Girán released in 1992. It was a commercial success, with sales that exceeded 200,000 copies and massive concerts in Córdoba and Rosario, and two in Buenos Aires. (it was decided to add a second concert at the end of the first concert), the latter before more than 160 thousand people, which were released on two new LPs. The second concert was also televised live on Channel 13.

Italian alchemists and power trio Ufomammut return with their ninth studio album, Fenice via Neurot Recordings.
But not as we’ve heard them before, now “more intimate, more free.”
For over 20 years, the band has combined the heaviness and majesty of dynamic riff worship with a nuanced understanding of psychedelic tradition and history in music, creating a cosmic, futuristic, and technicolor sound destined for absolute immersion.
Fenice (meaning Phoenix in Italian) symbolically represents endless rebirth and the ability to start again after everything seems doomed. The album is the first recording with new drummer Levre, and truly marks a new chapter in Ufomammut history.
Whilst the band are well-known for their psychedelic travels into the far reaches of the cosmos, Fenice is a much more introspective listening experience. Fenice was conceived as a single concept track, divided in six facets of this inward-facing focus. Sonic experimentations abound in the exploration of this central theme; synths and experimental vocal effects are featured more prominently than ever before as the band push themselves ever further into the uncharted territory of their very identity.

Best of Both Worlds is a two-disc compilation album by British neo-progressive rock band Marillion released in 1997 by EMI Records, who the band had been signed to from their debut in 1982 until being dropped in 1995. The title refers to Marillion's two distinct "eras" with lead singers Fish (1980—1988) and Steve Hogarth (since 1989). By the time this compilation was released, both line-ups had recorded four studio albums each. The second best-of since the 14-track one-disc compilation A Singles Collection (known as Six of One, Half a Dozen of the Other in the US) from 1992, this one additionally contains material from Brave (1994) and Afraid of Sunlight (1996). Two different covers were created for the compilation, one by Mark Wilkinson, who had worked for the band during the Fish years, and one by Bill Smith Studio, who took over after Fish's and Wilkinson's departure. The booklet was printed so that either of the covers could be displayed in the jewel case according to personal preference. The track list, comprising 29 songs, was put together by Lucy Jordache, then the manager responsible for the band in EMI, in close collaboration with the band's fans' mailing list, "Freaks" (named after the eponymous song). Jordache also motivated singers Fish and Hogarth to contribute liner notes—at a time when both camps were not yet on friendly terms again—by telling each of them the other had already agreed to do so.