Sun Ra was a true innovator, releasing music that was a bit different to his peers from his earliest output. But what would Sun Ra have made of today’s music scene? If he is looking down from his cosmic realm, he’ll be pleased to know that his music from the past still sounds eerily futuristic. Recorded in just one day, on October 10, 1961, The Futuristic Sounds of Sun Ra features 11 tracks. Among the selections is the Latin-influenced opener, “Bassism,” the bluesy “Of Sounds and Something Else,” and the aptly named, “What’s That?,” which breaks into a four-saxophone improvisation, stands out as an example of Ra’s early experimental work.

When is the musical project of Norwegian artist Lars Pedersen. Lars Pedersen was born in 1961, in Oslo, Norway. His father, Tore Pedersen, was a Norwegian musical composer. At an early age, the younger Pedersen performed with his four older sisters and older brother; they were often compared to the Jackson 5 and The Partridge Family, popular bands of the time. Being in the spotlight at a young age, Pedersen met Chuck Berry and other stars. In the late 1970s, Pedersen played in Hærverk, one of the first Norwegian punk bands, and later – as the 1980s arrived – went on to form the band The Last James. The Last James explored The Beatles/Beach Boys sound, releasing three albums, Grape, The Last James and Kindergarten. During the 1980s and early 1990s, Pedersen was also a member of the renowned experimental/industrial/new wave group Holy Toy, together with Andrej D. Nebb.

This is the great late-night Sun Ra chillout album you never knew about. The band had been working in a more groove-oriented setting off and on for over a year, as evidenced by the albums Lanquidity and On Jupiter, with both featuring prominent electric bass and electric guitar. Sleeping Beauty picks up right where On Jupiter left off, with the gentle, swaying "Springtime Again" echoing the same mellow vibe of "Seductive Fantasy" from On Jupiter.

Thirteen hours of unreleased and ultra-rare music. The Eternal Myth Revealed is a 14 disc docu-biography of Ra's life and career, from his birth in 1914 up to 1959. In addition to his own music, it includes music he was influenced by, and a lot of stuff he may or may not have had a hand in as arranger, vocal coach, pianist or something else. Sun Ra's output was as prolific as Ellington's, and discographers have had nightmares and arguments attempting to document it accurately.

The audio companion to David Toop's excellent book advances the case he made, that Les Baxter, Aphex Twin, The Beach Boys, Herbie Hancock, King Tubby and My Bloody Valentine are all related by their effect on sound pioneering. A double-disc set, Ocean of Sound impresses not only with its incredible diversity of musical styles, but with how easily these artists work next to each other. The second disc includes consecutive contributions by Paul Schütze, the Velvet Undergound, Holger Czukay of Can, The Beach Boys, African Headcharge and Sun Ra. Besides illustrating Toop's point beautifully, the album is an excellent addition to the collection of any wide-ranging ambient fan.

A celestial journey is what Sun Ra and His Arkestra created with Space is the Place. Sun Ra’s opus, at its simplest, is a trip through outer-bound melodies, planetary bodies, eras in time, crystals, and space caravans. You will be transported a world away!

Universe in Blue, a collection of undated live club performances by Sun Ra & His Blue Universe Arkestra, was issued in small-run pressings with two different LP covers on Sun Ra's Saturn label in 1972. Until now it has never been officially reissued on LP or CD.