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Wojciech Rajski, Polish Chamber Philharmonic Orchestra Sopot - Penderecki: Symphony No.6; Concerto for Clarinet (2019)

Posted By: ArlegZ
Wojciech Rajski, Polish Chamber Philharmonic Orchestra Sopot - Penderecki: Symphony No.6; Concerto for Clarinet (2019)

Wojciech Rajski, Polish Chamber Philharmonic Orchestra Sopot - Penderecki: Symphony No.6; Concerto for Clarinet (2019)
EAC | FLAC | Image (Cue & Log) ~ 210 Mb | Total time: 47:14 | Scans included
Classical | Label: CD Accord ‎| ACD 270-2 | Recorded: 2019

Two musical orders meet in the programme of this album, both with reference to the most broadly conceived music history and to the universe of Krzysztof Pendereckis output. Apart from the opera, which holds its own separate place, they are the two largest-scale formal orders in the musical art: those of the symphony and the concerto, which represent two fundamental ideas: respectively, those of co-operation and of competition. Krzysztof Pendereckis symphonic writing is one of the most important elements of his output as a composer, and possibly the most fascinating one.

Stephan Genz, Roger Vignoles - Brahms: Deutsche Volkslieder (1999)

Posted By: ArlegZ
Stephan Genz, Roger Vignoles - Brahms: Deutsche Volkslieder (1999)

Stephan Genz, Roger Vignoles - Brahms: Deutsche Volkslieder (1999)
EAC | FLAC | Image (Cue & Log) ~ 297 Mb | Total time: 59:10 | Scans included
Classical | Label: Teldec ‎| 3984-23700-2 | Recorded: 1998

The appearance in 1856 of a new edition of a German folksong anthology considered by Brahms to be indiscriminately compiled provoked him to bring out a collection of his own in 1894. His priorities lay not with authenticity; his own selections were governed by the sheer musical and aesthetic quality of the raw material and the opportunities it afforded for imaginative arrangement. So, in his Deutsche Volkslieder, Brahms practised the fine art of assimilation, blurring the lines between folksong and artsong in a way not at all dissimilar to what Britten would be doing for English folksong little more than 50 years later. Images and ambient sounds from the original folksongs find their way into Brahms’s ever-inventive piano accompaniments.