Solar Nights is the long-awaited second album from German nu-disco star Tim Bernhardt, aka Satin Jackets. Released on Eskimo Recordings Solar Nights follows on from Bernhardt's critically acclaimed, and Gold certified, debut Panorama Pacifico and features 14 tracks of smooth disco and leftfield pop sounds with guest appearances from the likes of Future Classic's Panama, David Harks, Niya Wells, Emma Brammer, and Anduze. The global success of Panorama Pacifico has seen Bernhardt coaxed out from his remote studio in one of Germany's ancient forests to play to fans across the world, from South Korea to Mexico and beyond, experiences that inspired both the album itself and its title, Solar Nights.
"In recent years the world's become smaller, a more inter-connected place…

'Reunion' is the third album from nu-disco star Tim Bernhardt, aka Satin Jackets. Released on Eskimo Recordings 'Reunion' is a stunning follow up to the German producer's first two critically acclaimed albums and features 14 stunning tracks of sun kissed disco, Balearic house, leftfield pop and guest vocals from the likes of Australian star Panama, Belgian singer Ivy Falls, US based vocalist Metaxas and up and coming British singer Tailor.
With Bernhardt’s 2nd album, 'Solar Nights', one of the most successful nu-disco records of recent times the following years should have made the Satin Jackets name a regular fixture on club and festival bills worldwide…

By popular demand, PWL are delighted to reissue 'LET'S GET TO IT', the classic 1991 album from the undisputed princess of pop, KYLIE MINOGUE. Digitally remastered from the original studio tapes, this reissue marks the very first time the album has been back in print in the UK since its original release.

Norwegian duo Röyksopp compensated for the cold climes of their native Tromsø by making some of the warmest, most inviting downbeat electronica of the 21st century, exemplified by early tracks like "Eple" and "Poor Leno." The pair, Torbjørn Brundtland and Svein Berge, both grew up in Tromsø and began recording in the early '90s…

Before he released 8 and 9 as two separate vinyl albums, Prins Thomas opined that it marked his best work to date. Gathered here for the first time on a single CD, it's hard to quibble with his assessment. For starters, the collected tracks arguably offer the strongest fusion yet of the various musical threads that have long been present in his work - think sun-soaked Balearica, synthesizer-driven krautrock, dub disco, punk-funk, cosmic rock, loose-limbed grooves and wide-eyed, sunrise-ready electronic psychedelia. Highlights include the acoustic-meets-acid wonder of 'Cala Lunga', the sun-bright, slowly rising rush of 'Evig Ung', the rubbery and cosmic chug of 'Earthbound' and the heavily electronic bliss of 'I Love U'.

Hedkandi is an English record label, events and music brand owned by Ministry of Sound. Its back catalogue includes both artist albums and dance music compilations.

Chromatica is the sixth studio album by American singer Lady Gaga. It was released on May 29, 2020, by Streamline and Interscope Records. Originally scheduled for April 10, 2020, the album's release was delayed for several weeks, due to the COVID-19 pandemic. Chromatica marks a departure from Gaga's fifth studio album, Joanne (2016), with the singer intending the album to be a reminder of her "absolute love for electronic music". Incorporating elements of dance-pop, EDM and other pop-focused genres, many commentators compared it favorably to earlier works. Gaga collaborated with various producers on the record, including BloodPop, BURNS, Axwell and Tchami. Lyrically, the themes of the album revolve around mental health, healing, and finding happiness and love through hardship. It also features guest vocals from Ariana Grande, Blackpink and Elton John.

The highly anticipated third studio album from the global touring artist and in-demand producer is a reconnection to his musical roots: this is a record dominated by warm lights, laid back choruses, Balearic sunsets, subtle hues, and an analogue aesthetic. An album engineered with the precision and expertise of a production master yet born from the creative passion of the genre’s biggest fan. Playing almost every instrument on the record, Roosevelt created ‘Polydans’ by swirling together the spirits of 80s synth, disco, analogue, Yacht rock and delirious dancefloor euphoria with amazing results. It is, quite simply, a feast for fans of the electronic genre, and a feat of expertly crafted pop that feels current yet nostalgic, club-ready yet heartachingly warm.

The first Scissor Sisters album was one of the catchiest debuts of the new millennium, but also one of the best-crafted. All camp on the surface but with plenty of substance underneath, it succeeded because the group wrote fantastic songs and backed them with excellent productions, usually in the vein of their biggest pop/dance heroes, from the Bee Gees to George Michael. If the follow-up, Ta-Dah, doesn't reach as high as its predecessor, it's certainly not the fault of some spot-on arrangements by head producer Babydaddy. Soundtracking his own mythical night at Studio 54 circa 1978, Babydaddy's Discoball Jazzfest Studio in New York City pumps out tracks gloriously in debt to the Bee Gees (of course), Elton John (although not on the track he contributes piano to), the Rolling Stones' brassy late-'70s stompers, electro-disco arena rock (if there is such a thing), and some sort of '70s disco hokum that features a very talented Gina Gershon on jew's-harp.