Rich, melodic soundscapes, transgressing the borders of electronic music and providing perfect picture music, relaxing and stimulating at the same time, yet rhythmic driving with a profound sense for melody and finely textured songs.
Interface are Marcel Thebach (born 1972) and Michael Gross (born 1966). Obviously they are influenced by the godfathers of German electronic music such as Tangerine Dream and Klaus Schulze, but within that context they add a very youthful element and most of all, they have real songwriting ability. Although their soundscapes are sometimes just as entrancing as the likes of Schulze, they retain a high degree of melodic content, composing with passion, melody and harmony. They create not just a wave of sound but their tunes have a clearly defined substance to them…

Soft & romantic piano music, slight scents of jazz, beautiful songs and ballads - all these elements united in the lovely piano player from Atlanta, Georgia and her second album on Innovative Communication. She's all woman and her music expreses exactly that quality in songs that are catchy and full of lovely, evergreen melodies.

Dancing Fantasy partners Curtis McLaw and Chris Williams had previously worked together in the Blue Knights; this particular project was a smooth-jazz variation on their fascination with German synth experimentalists like Kraftwerk and Tangerine Dream. Dancing Fantasy started their career at German electronic label IC Digit in 1990. "Worldwide" was inspired by the flow of music around the globe, picking up individual sound-samples (specific to a particular country) on the way. The music is pure Dancing Fantasy with laid back grooves, immersed in rich floating sounds with touches of jazz.

Dancing Fantasy partners Curtis McLaw and Chris Williams had previously worked together in the Blue Knights; this particular project was a smooth-jazz variation on their fascination with German synth experimentalists like Kraftwerk and Tangerine Dream. Dancing Fantasy started their career at German electronic label IC Digit in 1990, had an overnight success with the debut album „Midnight Blvd.“, that entered Billboards NAC Top 10, songs like „Cry Nature“ and „Voodoo Jammin´“ brought heavy rotation air-play on all important US jazz and new-age radio stations. After the first album's commercial success, the duo continued the studio project with their next release, „California Grooves“ in 1991. This album garnered an even bigger success than their debut - spawning songs like „Good Morning America“ and „Malibu“…

Music or Movie? The big picture in "Waitin' For Your Call" reminds you of a b/w Bogard movie, the lover waitin' at the phone, late at night, excuses, love, hate, drama. "Good Morning L.A." is just that: sunny, jazzy good and mellow. "Where are You" in both versions memorable, the vocals right on. "Syntasia" a hommage to the powerful sounds of Keith Emerson and to Eddie Jobson's brilliance.

What is more inspiring than life and love? All the ups and downs, the constant change and the constant charge.
This music is the positive charge that transfers "sounds" into "feeling". You can hear the swing of life on the thoughtful "Just talk to you"; the breezy, positive and bell-like feeling on "Hand in Hand" and enjoy the summery, swinging and jazzed-up hymn "Loving Life!" The new face of soft fusion, jazz and NewEmotionalMusic comes alive with the unique sound of Freeze Frame!

California - Orange (1998). This music is for better understanding and communication inbetween different races of human beings and plants. Life, Liberty… and pursuit of happiness is the goal.
Ganja Grooves (1999). Enter the Gate, find yourself at GoaDawn, walk through the Rockgarden, ride across the WaveDashes, allow your guarding angles some holidays while having your Afternoon Weed.

An atmosphere of early morning in the Shoyama mountains of Japan. The sun rises above a mountain crest. A monk rings the bell, signalling the time for prayer. It is in such surroundings that Kosei Yamamoto takes his saxophone and warms up on filigree improvisations, to a background of natural sounds. His friends Hiroki and Takashi used a digital MTR and mixer to record this sound, which tunes in to the earth’s gravity.

David Geyra is one of Israel’s premier dance music composers and producers and his music is performed worldwide by some of the leading dance and theatre companies. His very original and highly individual music encompasses elements of jazz in combination with a Gershwin style of composition, modern dance music, ballett and Middle Eastern pop influences.

Art Forland has in recent years escaped from classical differentiation with the concept of virtual music. He has done this without having given up the popular aspect of this work with which this demanding search for new music began. At the center of the title of this work is the expression of the dream, which is that virtuality which man has always opposed to reality. A contemporary way of being as sound space.
"Virtual Music" - a musical philosophy stands behind this phrase which merges the rationality of electronic music with the sensuality of the inner psyche. The "Virtual" is the original sense pf the unreal. Electronic code enables the virtual spirit to be made physical reality, and thus arrive at the purest form of music…

Double Fantasy was formed in the summer of '85 by Charly McLion and Dreamstar, both experienced studio musicians. The idea to Double Fantasy developed out of a relaxed studio/session atmosphere, where the trying out of various new sounds and melodies created a fresh kind of beautiful electronic music, pictures of some laid-back moments. The result is timeless Fantasy Music to dream and relax with.

Win Kowa is a German guitarist and songwriter who played in the bands Streetmark, Octopus and The Radio. He began writing music at the age of nine and has been performing and recording professionally since the 1970s. Since the early 1990s he has released a number of albums either solo or with his wife, Jennifer Kowa as Kowa. Will not disappoint fans of either genre, New Age or Space Rock.

All songs composed, arranged, played and produced by Maxx Mega and Leroy McByte. The Cut has garnered the "New Emotional Music Innovative Award" from the Pallas Group and further evolved their hybrid style, be it powerfully rhythmic or classically refined and delicate.

These musical sketches dedicated to the American Southwest. A journey to magic powerspots deep in the Havasu Canyon, to ghost towns along the Turquoise Trail where time stands still. This spiritual journey merges with Frank's excellent instrumental abilities to compose a tender and moody piece of music with a very dense and gripping atmosphere. Sparingly used synthesizers add colour, the occasionally used percussion offers a gentle rhythmical hold and enhanced is the overall feeling of "well-being" by some brilliantly playing studio musicians on sax and live-percussion, adding a touch of sparkle where it is needed.

Software formed in 1983 by German duo Peter Mergener and Michael Weisser, Software owes much to electronic pioneer Klaus Schulze. Software's music usually builds on sequencer patterns and simple melodies, creating a lighter version of the Schulze style.