Arthaus presents the world première of the unabridged version of Don Carlos at the Vienna State Opera, in a staging by the worldrenowned German director Peter Konwitschny. This staging in its unabridged version remains true to Giuseppe Verdi’s originally vision of his grand opera, when it was premiered in Paris in 1867. However, during the rehearsals it soon became clear that Don Carlos would not fi t within the convention of duration, and Verdi was forced, against his will, to make cuts. Over the next 20 years, he would repeatedly turn out new versions of the opera, none of which ultimately left him satisfied.

The most comprehensive edition devoted to Gioachino Rossini marking his 150th anniversary.
Born in 1792, Rossini was the most popular opera composer of his time. Although he retired from the Opera scene in 1829, he continued to compose in other genres, including sacred music, piano and chamber works. He did gather his late works under the ironic title Péchés de vieillesse (Sins of Old Age), which veils a true collection of masterworks.

Set against the magnificent backdrop of Lake Constance, every production at the Bregenz Festival faces strong natural competitors. But with this first-ever production of Verdi’s “Aida” (in an abridged version) on the lakeside stage, it is easy to overlook the beauty of the surrounding nature. Stage director Graham Vick and set designer Paul Brown conjure up an “open-air spectacle of superlatives” (Die Zeit) that throws a bridge between ancient Egypt and today’s U.S..