Formative genetic material of death metal, this band formed in 1984 in Charlotte, North Carolina, and recorded its first album "Abominations Of Desolation" in 1986 (albeit not released until 1991), being inspired by Slayer but eventually moving on to more progressive works with the genre-definitive "Blessed Are the Sick" in 1991. Progressive, rhythmic, complex and evil death metal with lyrics well-crafted from Sumerian and Lovecraftian domains…

Two decades into their venerable careers, Baltimore Death Metal savants Misery Index are back with their new record, “Complete Control”. Their 7th studio album and Century Media debut is a riff-driven assault that captures the tension of the modern condition and channels it into 9 songs of ripping end-times Death Metal. Spewing with Orwellian invective and razor-sharp songwriting, “Complete Control” is a much-needed hammer to the face; a wake-up call for the disaffected and dispossessed. The album was mixed by Will Putney (Fit For An Autopsy, Thy Art Is Murder, Body Count), mastered by Jens Bogren / Fascination Street studios (Kreator, Opeth, Arch Enemy) and features uncanny artwork by visual artist Matt Lombard.

Formed in Birmingham, UK in 1982, by Nik Bullen. Napalm Death were originally one of the bands that defined the UK hardcore thrash/punk sound of the mid-late 1980s, along with bands such as Extreme Noise Terror, Doom and Sore Throat. The band has gone through countless line-ups and many former members have gone on to become significant figures in a variety of musical scenes…

One of the most infamous and influential death metal bands of the past 10 years, DYING FETUS pummel and pound their signature-style brutality into the worldwide landscape with the subtlety of full-fledged war. Descend into Depravity takes DYING FETUS to new sonic levels, and is easily the bands finest hour.

Lead guitarist Esa Holopainen and drummer Jan Rechberger formed the band Amorphis in Finland in 1990. To complete their lineup they recruited vocalist/guitarist Tomi Koivusaari and bassist Olli-Pekka Laine. They released a demo in 1991 called Disment of Soul. The demo was so successful in getting attention for the group that they acquired a record deal and released an EP the same year. They next released their first full-length album, The Karelian Isthmus, in 1992. The following year, their early demo recording session was released as Privilege of Evil…

The sound of veteran brutality enthusiasts letting rip like there’s no tomorrow. LOCK UP new album is a new era of celebratory sonic destruction ! This is Grindcore supremacy !

Since 1989 Germany's Desaster have been churning out their unique and unholy blend of extreme metal, and in 2021 they return with perhaps their most powerful album to date, the towering 'Churches Without Saints'. "It's a typical Desaster old school black-death-thrash metal album, with a lot of aggression, but also great atmosphere and epic tunes!" enthuses guitarist and founder member Infernal. With a simple remit of making an album full of "neck-breaking songs" the quartet have once again proven themselves leaders in their chosen genres, giving their faithful and newcomers alike plenty to salivate over.

On their fifth sonic assault, "svartrviðr", KING OF ASGARD maintain the perfect balance between the grim and the epic, darkness and twilight while keeping their sound crushing and stripped down to essentials. The blackened death veterans deliver an example of Sweden's classic style at the border of harsh and evocative Nordic blackness and the captivating epic melodies of their homeland's death metal. Founded in 2008 in Mjölby, Östergötland, the band rose from the ashes of cult act MITHOTYN. Teaming up with Magnus "Devo" Andersson, who could easily claim the title of MARDUK's house producer, the Swedes made sure to maintain a black twist to their individual sound. Now, KING OF ASGARD invite you to explore the dark secrets of the Viking world and those glimpses at ancient rituals that lurk deep within Old Norse writings.

While concerts and cheering crowds seem to be a long-lost echo from the past these days, melancholic progressive metallers AMORPHIS bring back some of the life and incomparable energy that many of us have been missing so desperately. Recorded during a special hometown show that took place on December 7th, 2019, little did the Finns know that this would be one of their last concerts before the pandemic outbreak in early 2020. With 15 tracks in total and a running time of over one and a half hours, AMORPHIS take you on a journey through their past, showcasing their best songs from the last 30 years that saw the band turn into one of Finland’s finest metal exports.

Stop at Nothing is the fourth album by the Maryland technical death metal band Dying Fetus. The album, like its predecessor, Destroy the Opposition, was produced by the band and Steve Carr. Shortly after the release of Destroy the Opposition, all of the band except for John Gallagher quit. Gallagher brought in new vocalist Vince Matthews, guitarist Mike Kimball, bass guitarist Sean Beasley and drummer Eric Seyanga. The black and white part of the cover of the album is part of a photograph taken by Lewis Wickes Hine, the American sociologist and photographer, called "Power house mechanic working on steam pump".The steam pump has been shown in color while the original photo was completely black and white.

Gojira have announced their long-awaited new album, FORTITUDE, which will be released April 30th. FORTITUDE stands out as Gojira’s first album in five years and the follow-up to 2016’s Grammy® nominated LP MAGMA. Recorded and Produced by Joe Duplantier at Silver Cord Studio and mixed by Andy Wallace (Nirvana, Rage Against The Machine), FORTITUDE is a collection of songs urging humanity to imagine a new world—and then make it happen.