Following their successful appearance here on the Golden Rose TV Festival in April 1969, the band was invited back to play the Montreux Jazz Festival in June to a more youthful audience. The hot sunny weather saw the boys play an impromptu afternoon matinee by the pool, which culminated in a topless Dick Heckstall-Smith diving in to cool down! During that time bootlegs were a big part of the scene. Repertoire Records has curated the best of the best and these albums are now 'officially' available for digital download for the first time.

{RYM}Here we have everything, from fast pomping passages to more mellow parts, the sound and manner of composing here is more refined then on their debute, the musicianship is tight, great ideas and top notch pieces. The interplay between guitar and organ (keyboards) and drums I must say is absolutly killer and inventive. There are some passages that truly shine no less, like on opening Put it this way, what to say really , impressive playing from each msucian, Gary Moore in duel with master Don Airey, somemthing not to be missed by any prog/jazz rock lover.

The fourth, long-lost album by Colosseum with performances from Supershow plus 2 tracks from a short film that was released in 1970.

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."

First fully authorised release comprising Colosseum recorded live at the BBC 1969-1971. Over 60 tracks, many recordings new to CD - over 6 hours playing time. Painstakingly researched by Colin Harper, Nigel Lees and Ashley Wood. Restored and remastered by Eroc for optimum sound quality throughout. In-depth liner notes by Chris Welch with a foreword by Pete Brown. Includes 44-page booklet, photographs and contributions from former band members.

Bach Chorales & Sonatas features music arranged for and by the Palladian Ensemble. Many of the pieces on this recording were written in Bach's Leipzig days. The famous lutenist Sylvius Leopold Weiss performed at the Bachische Collegium Musicum at this time, so it not unrealistic that the sonatas may have been performed as arranged on this disc.

Following their successful appearance here on the Golden Rose TV Festival in April 1969, the band was invited back to play the Montreux Jazz Festival in June to a more youthful audience. The hot sunny weather saw the boys play an impromptu afternoon matinee by the pool, which culminated in a topless Dick Heckstall-Smith diving in to cool down! During that time bootlegs were a big part of the scene. Repertoire Records has curated the best of the best and these albums are now 'officially' available for digital download for the first time. Physical copies are on their way!

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."

The second album from this British jazz-rock quintet rocks harder than their first outing. Their take on Jack Bruce's "Rope Ladder to the Moon" is especially strong, and "Jumping off the Sun" has a similar feel. "Bolero" has been done to death, but guitarist Dave Clempson (who later replaced Peter Frampton in Humble Pie) uses it to launch a showcase of guitar fireworks. In fact, Clempson's blazing guitar licks shine throughout. Dick Heckstall-Smith once again impresses on his arsenal of saxophones and woodwinds, and the seven-and-a-half minute title cut which he co-wrote with drummer Jon Hiseman is a highlight of this disc.

A concept album loosely based on man's fascination and allure for war throughout the ages, Daughter of Time contains all the elements required to create a pure progressive rock album. Joining David Greenslade and Chris Farlowe is Louis Cennamo from Renaissance, who plucks away at the bass guitar with a heavy hand. A multitude of instruments combine to create a brilliant melange of music on every one of the eight songs. Vibrant spurts of trombone, trumpet, and flute are driven to the height of each song, which gives way to some implements of jazz fusion.

Colosseum II was a British band formed in 1975 by the former Colosseum drummer and leader, Jon Hiseman, following the 1974 demise of his band Tempest. Hiseman announced his plan to form the band eventually named Colosseum II in November 1974, but only Gary Moore was named as a member. Rehearsals were due to begin on January 1, 1975, but a permanent unit was not finalised until May 1975. Among musicians who almost made the group were Graham Bell, Duncan Mackay and Mark Clarke. The final line-up was completed by Don Airey, Neil Murray and Mike Starrs. The band was oriented toward jazz fusion, much of which was driven by the guitar work of Moore, leading to a much heavier sound than the original Colosseum band.

Several years after the original art rock supergroup Colosseum disbanded, drummer Jon Hiseman formed Colosseum II, a more jazz fusion-oriented outfit featuring guitarist Gary Moore (Thin Lizzy) and keyboardist Don Airey. Their eclectic debut, Strange New Flesh, shows some impressive chops from all involved, with an emphasis on Moore's soulful guitar leads. Vocalist Mike Starr, while not an immensely engaging singer, does a nice job keeping up with Hiseman and bass player Neil Murray. Highlights include the technically showy but blissfully irreverent ode to Pink Floyd, "Dark Side of the Moog," a nice version of Joni Mitchell's "Down to You," and the funky "Gemini and Leo."

The Collectors' Colosseum is a compilation album by Colosseum that was released in England in 1971. Colosseum are an English jazz rock band, mixing blues, rock and jazz-based improvisation. Colin Larkin wrote that "the commercial acceptance of jazz rock in the UK" was mainly due to the band. Between 1975 and 1978 a separate band Colosseum II existed playing progressive rock.

Daughter of Time is the fourth album by Colosseum, released in 1970. The album remained for five weeks in the UK Albums Chart peaking number 23. Recorded in the midst of an upheaval in the band's lineup, only one of its eight tracks, "Three Score and Ten, Amen", features all six of the official band members. Mike DeGagne gave the album a rave retrospective review in Allmusic, chiefly praising the wide variety of instruments used, but also acknowledging the melancholy tones and sense of drama. His only criticism was that the songs are too short, "all around six minutes in length" (in fact, only three of the songs are around six minutes in length, and half of them are much shorter).

2009 four CD antology from the British Jazz/Prog/Art Rock band. Pieced together with the active assistance of band leader Jon Hiseman, Morituri Te Salutant features extended highlights from Colosseum's original albums as well as numerous previously-unissued studio and live outtakes, including BBC session material, the aborted late '60s single `Tell Me Now' and a host of alternative recordings from the tour that was immortalised on what many admirers believe to be the band's definitive work, Colosseum Live. Lavishly packaged with hitherto unpublished photos and a 10,000 word essay, Morituri Te Salutant is the final word on one of the most individual and iconoclastic British bands to emerge from the musical and cultural revolution of the '60s.