The legendary first lineup of Chick Corea's fusion band Return to Forever debuted on this classic album (titled after the group but credited to Corea), featuring Joe Farrell on soprano sax and flute, the Brazilian team of vocalist Flora Purim and drummer/percussionist Airto Moreira, and electric bass whiz Stanley Clarke. It wasn't actually released in the U.S. until 1975, which was why the group's second album, Light as a Feather, initially made the Return to Forever name. Nonetheless, Return to Forever is every bit as classic, using a similar blend of spacy electric-piano fusion and Brazilian and Latin rhythms. It's all very warm, light, and airy, like a soft breeze on a tropical beach – hardly the sort of firebrand approach to fusion that Miles Davis, Tony Williams, and the Mahavishnu Orchestra were exploring, and far less rooted in funk or rock.

Chick Corea's long, varied career resists a definitive summary on any one disc, so inevitably this Rarum volume is going to be limited by definition. Indeed, Corea compresses his choices further to only three of his many ensembles: the first Brazilian-charged edition of Return to Forever, his duets with vibraphonist Gary Burton, and the superb reunited 1980s trio with bassist Miroslav Vitous and drummer Roy Haynes (in any case, ECM promises a second Rarum volume of Corea chamber music in 2003). The present volume starts with a truncated version of the Return to Forever band's "Sometime Ago/La Fiesta" medley, the moody seven-minute intro lopped off perhaps to accommodate the limits of a CD that was pushing 80 minutes.

"Spain" is probably Chick Corea's best-known composition. Written in 1971, it was first introduced by his Return to Forever band and played frequently by many other Corea-led groups, including his 1988 Akoustic Band trio. Here it appears again – and arguably, for all time – in a powerful, extended form through the efforts of the London Philharmonic Orchestra, conductor Steven Mercurio, Corea, and five other members of the group Origin. Combining the sounds of Spain, Cuba, Brazil, Argentina, and New York with a whiff of Gershwin and Ravel full of whispers and thunder, Corea's arrangement won the 2000 Grammy.

A Beautiful orchestral version of "What Game Shall We Play Today" along with new arrangements of some of Chick's classic Children's Songs, plus new compositions and improvisations! "When I first experienced how creatively Erlend was able to re-imagine my songs and combine them with compositions of his own, I became very excited. And since then, every performance we have done together with this great Trondheim Jazz Orchestra has been a creative joy! " - Chick Corea, April 2018

This album was released on the occasion of the 20th anniversary of the North Sea Jazz Festival. It contains live recordings of John Patitucci, Spyro Gyra, Russ Freeman & The Rippingtons, B.B. King, Chick Corea, Robben Ford and Gary Burton. All songs were recorded live during various editions of this festival.

Thunder from Down Under is the third studio album by guitarist Frank Gambale, released in 1990 through Victor Entertainment and reissued on 24 April 2001 through Samson Records.

Chick Corea was involved in a wide variety of projects during the early 1980s, some acoustic, others electric, and everything from solos and duets to orchestral projects. Touchstone really displays quite a bit of diversity with features for flamenco guitarist Paco DeLucia, a one-song ("Compadres") reunion of Return to Forever (with guitarist Al DiMeola, bassist Stanley Clarke, and drummer Lenny White), a spot for alto-great Lee Konitz ("Duende"), and a conventional sextet outing on "Dance of Chance." A bit uneven but with its interesting moments, Touchstone is worth checking out.

During an era when the word "fusion" was applied to any mixture of jazz with pop or funk, Chick Corea's Elektric Band reinforced the word's original meaning: a combination of jazz improvisations with the power, rhythms and sound of rock. Eye of the Beholder, which found guitarist Frank Gambale, saxophonist Eric Marienthal and bassist John Patitucci displaying increasingly original solo voices, is one of this group's finest recordings and ranks with the best fusion of the latter half of the 1980s.

Soft Space is the second album by Keyboardist Jeff Lorber as leader of his band The Jeff Lorber Fusion. Released in 1978, this album featured special guest artists, Chick Corea and Joe Farrell. This was the group's last effort for Inner City Records before moving on to Arista Records the following year.

1969 Miles – Festiva de Juan Pins is a live album by Miles Davis recorded at the jazz festival in La Pinède, Juan-les-Pins, Antibes, France, as an ORTF radio broadcast. The quintet performed twice at the Juan-les-Pins Festival, July 25 and 26. Columbia Records recorded both shows, but the music would not be released in its entirety until 2013.

One of the guitar heroes of fusion, Al Di Meola was just 22 years old at the time of his debut as a leader but already a veteran of Chick Corea's Return to Forever. The complex pieces (which include the three-part "Suite-Golden Dawn," an acoustic duet with Corea on "Short Tales of the Black Forest" and a brief Bach violin sonata) show DiMeola's range even at this early stage. With assistance from such top players as bassists Jaco Pastorius and Stanley Clarke, keyboardist Barry Miles and drummers Lenny White and Steve Gadd, this was a very impressive beginning to DiMeola's solo career.

Even though Just Family was produced by Stanley Clarke and employs a lot of musicians who had jazz backgrounds – including Chick Corea, George Duke, Airto Moreira, and Bobby Lyle – this is an R&B album first and foremost. Dee Dee Bridgewater would return to jazz in a major way in the 1980s, but in the late 1970s, she was emphasizing adult-oriented R&B and going after fans of artists like Phyllis Hyman and Minnie Riperton.

Jazz master Chick Corea’s unconventional vision of a classical performance shines through in his interaction with the Orchestra da Camera Della Sardegna, turning the acclaimed chamber orchestra into a large-scale jazz ensemble. His unorthodox approach adds a touch of playfulness to the Mozart & Gershwin pieces performed while upholding Corea’s obvious reverence for their music. His joyous fusion sets the tone for the musicians and the audience, creating a truly captivating and boundary- pushing experience. The recording captures the essence of Corea’s musical vision, his appreciation for classical traditions, and his undeniable genius as a performer and improviser. It stands as a testament to his lasting influence and his eternal quest to push the boundaries of music. Through his work as a composer and a performer, he sought to bridge the gap between genres, embracing the universality and enduring power of classical music. Corea realized this ambition fully during this live performance as was eager to release the recording as an album that would inspire jazz and classical music lovers equally.

Ritmo, Tribute to Chick Corea was recorded live back in July 2021 at the ADDA Auditorium in Alicante (Spain) during the FIJAZZ Festival. Conceived and produced by conductor/drummer Josep Vicent, ADDA Symphony Orchestra’s Music Director, with arrangements by Argentinian Latin Grammy Award Winner pianist and composer Emilio Solla, RITMO is a celebration of Chick Corea’s music and its tremendous influence in contemporary Jazz and its fusion with Latin music.