2003 restored & remastered reissue of 1985 compilation, that's unavailable domestically, featuring 29 tracks recorded during 1964-1968, packaged in a digipak. Includes 12-page full color booklet with photos & other memorabilia.
Like a majority of up-and-coming British bands of the 1960s, the Zombies made nearly two dozen BBC Light and Radio 1 transmissions between the fall of 1964 and the spring of 1968. The 29 cuts hail from a variety of those programs. In many cases their alternate persona as a consummate and immensely soulful cover combo is likewise illuminated. The contents are presented in a relatively chronological manner, commencing with one of the group's earliest shots (if not the earliest shot) on Saturday Club, broadcast on October 3, 1964…

Of the literally dozens of memorable bands that emerged from the British Beat scene in the early to mid-'60s, the Zombies were one act that stood out: there was a smart, slightly arty aura to their clever and beautifully crafted melodies, superb vocal harmonies, and a distinct instrumental sound, highlighted by Rod Argent's keyboard work, often using electric piano to memorable effect. Even when the Zombies rocked out or sunk into a tough R&B groove, they could convey a keen intelligence along with their energy, and their more introspective moments gave them a sound and feel that was unique. As good as they were, the Zombies didn't have much luck on the charts - while "She's Not There" and "Tell Her No" were hits in 1965, most of their subsequent recordings attracted little notice on initial release, and some of the band's finest work was barely heard in its day…

Power pop has never sounded so powerful! When former Mandrake Paddlesteamer mainstays Brian Engel and Martin Briley convened as Liverpool Echo in 1973, the Beatles had been in the grave for just three years, and the world still desperately wanted them back - so desperately that, with a band name borrowed bodily from an old Merseybeat-era newspaper, what could any record company do, but lift a "Fabs"-headlined copy of the paper for an album cover? But "Beatles Come Home So Quietly" really wasn't the most appropriate banner for an LP jacket, all the more so since, once you hit the vinyl, the spirit of the "Moptops" hung so heavily over the music that it screamed out for attention. Of course, it was true that any early-'70s band that was capable of melding melody with studio-borne creativity would inevitably be tarred "the new Beatles" (as Badfinger and 10cc would readily testify)…

The Petards have tried the impossible. In the early years of rock music, they met as a completely isolated German band from the provinces to achieve their national breakthrough on their own - the dream of international fame in the back of their minds. In their seven-year career, the Petards have made thousands of appearances, five long-playing records, a dozen singles and a lot of experience that groups in this country have been struggling with to this day. They were among the pioneers of German rock music who faced the thankless task of bringing new music to the rural areas of the Republic, where beat or rock music had previously only been accessible via radio. Although bands like the Petards met a starved and enthusiastic audience there, they were usually denied the boring recognition for their fundamental musical fieldwork.

The definitive anthology of one of the most successful British pop groups of the late 60s. Doing exactly what it says on the tin, this 6-CD release features every note of the band’s recordings during their halcyon days with CBS. Including huge hit singles (‘Here Comes My Baby’, ‘Even The Bad Times Are Good’, ‘Silence Is Golden’, ‘(Call Me) Number One’ etc). Plus highly-regarded psych-pop B-sides, criminally overlooked album tracks, alternative versions, outtakes, foreign language recordings, a live cabaret album and even the first-ever full release of the complete sessions for the 1970 cult movie ‘May Morning’, ‘The Complete CBS Recordings’ gathers everything under one roof for the first - and, almost certainly, the last time…

The Action are one of the great "lost" bands of mid-'60s England. Though they filled mod clubs with happy patrons and managed to score George Martin as a benefactor, they only released a handful of unsuccessful singles during their brief existence. Most of their music remained in the vaults for years, only to be discovered later and celebrated. After years of reissues that only told part of the band's story, Grapefruit's 2018 Shadows and Reflections: The Complete Recordings 1964-1968 collects everything: their five officially released singles, BBC sessions, their legendary demos from 1967, backing tracks, alternate takes, different mixes, and songs they recorded just before the band broke up in 1968. It's an impressive haul made even better by the excellent liner notes, session information, and crisp sound…

2CD set with 40 restored and remastered tracks. Rare BBC archive recordings. Authoritative liner notes and new quotes. The most comprehensive collection of The Yardbirds BBC 'live' recordings, assembled with the assistance of the BBC, with several tracks now all together the first time on this newly restored and remastered 2CD set. Several tracks have been expertly repaired from rare, hard-to-find recordings and feature for the first time on this set.
Detailed data in the booklet, which also includes authoritative liner notes by Richard Morton Jack, editor of 'Flashback' magazine, and contains new quotes from Yardbirds' Jim McCarty and Paul Samwell-Smith. Jim McCarty also adds an introduction exclusively for this the set, looking back at the BBC years…