Same Train, A Different Time (subtitled Merle Haggard Sings the Great Songs of Jimmie Rodgers) is the ninth studio album by American country music artist Merle Haggard backed by The Strangers, released in 1969, featuring covers of songs by legendary country music songwriter Jimmie Rodgers. Same Train, Different Time is Merle Haggard's affectionate tribute to Jimmie Rodgers. Haggard provides narration between the songs, offering tales of Rodgers' life and music. While the album is rooted in the past, the key to its success is how Haggard updates these traditional songs without losing sight of their roots. There are contemporary folk, country and blues influences scattered throughout the record, adding depth to the music and proving that Rodgers' music is indeed timeless.

How Does That Grab You? was the second studio album by the great Nancy Sinatra, originally released in 1966. Produced by Lee Hazlewood, with whom she would go on to collaborate closely, it was a sultry pop masterpiece featuring the hits ‘Bang Bang (My Baby Shot Me Down)’, the Hazlewood duet ‘Sand’ and ‘How Does That Grab You, Darlin’?’.

On Air – Live at the BBC Volume 2 is a 2013 live/compilation album featuring 40 previously unreleased tracks from the Beatles' 1963–1964 BBC Radio broadcasts (accompanied by 23 interview tracks from the associated broadcasts). It was released on 11 November 2013, along with a remastered and repackaged Live at the BBC Volume 1, which was originally released in 1994. The album is available as a two-CD set and a three-LP set. An exclusive limited edition lithographic print is also available from the Beatles online store.

Live at the BBC is a 1994 compilation album featuring performances by the Beatles that were originally broadcast on various BBC Light Programme radio shows from 1963 to 1965. The mono album, available in multiple formats but most commonly as a two-CD set, consists of 56 songs and 13 tracks of dialogue; 30 of the songs had never been issued previously by the Beatles. It was the first official release by the Beatles of previously unreleased performances since The Beatles at the Hollywood Bowl in 1977 and the first containing previously unreleased songs since their final studio album, Let It Be, in 1970.

The Miles Davis: The Electric Years box set collects seven albums from one of the most daring eras of Miles Davis’ career — In A Silent Way, Bitches Brew, A Tribute To Jack Johnson, Live-Evil, On The Corner, Big Fun and Get Up With It.
Starting in 1969 and ending in 1974, this box tells the story of a fertile period in Miles’ career, the third or fourth time he basically blew up the rules of jazz and made it again in his own image. Endlessly influential, these albums impacted basically every genre of music to follow in their wake. The albums have all been mastered AAA from 1-to-1 tape transfers of the master tapes by Ryan Smith at Sterling Sound. With GRAMMY Award-winning Steve Berkowitz supervising and consulting, the 11 LPs featured in the box come on 180g black vinyl, pressed at GZ, and will be limited in the first edition to 2,000 units. You can learn the story of these albums via an extensive Listening Notes booklet written by jazz historian and critic Ben Ratliff.

First 2,000 copies are numbered and pressed at Quality Record Pressing. Mastered directly from the original master tape by Bernie Grundman. Runouts are etched.

First 2,000 pressings are numbered on the back of the jacket and pressed at Quality Record Pressings.
Unnumbered copies may be pressed at either Quality Record Pressings or RTI, which is only identified by the sticker on the outer plastic bag. Issued in a dual pocket gatefold jacket. Includes a double sided insert for "Atlantic Records 75th Anniversary" and an Acoustic Sounds catalog. Each LP comes in a "Quality Record Pressings" rice paper inner sleeve. There are 2 stickers on the front of the outer plastic bag - a "75 Atlantic Audiophile Series" hype sticker and "Quality Record Pressings". Some copies have an additional sticker with "AAPA 005-45A" and a barcode on the back of the plastic bag. The gatefold interior has 2 photos of Otis Redding.

The enduring charm, contemporary relevance, and harmonic convergence of Crosby, Stills & Nash's fabled self-titled debut owe not only to impeccably played songs and resonant lyrics, but to career-defining performances by music's first genuine supergroup. Crosby, Stills & Nash lingers as an example of the whole being greater than the sum of its parts. Factor in phenomenal studio production and acoustic-based architecture that served as guideposts for myriad albums that followed, and popular music would never be the same.

Recorded in Ed Chalpin Studios in New York July/August 1967.

Nico's second solo album, 1968's 'The Marble Index', has long been out of print. This reissue includes audio mastered from the original tapes and previously unreleased photos of Nico by Guy Webster. Nico's haunting vocals predicted the Gothic movement and co-producer and Velvet Underground's band mate John Cale's startingly modern classical production ensured 'The Marble Index's timeless appeal. The iconic music journalist Lester Bangs wrote, “The Marble Index is the greatest piece of 'avant-garde classical', 'serious' music of the last half of the 20th century so far,” and the New Yorker recently hailed both records as “austere miracles of will and invention.”

This 2-CD single-layer SACD compilation album contains 22 tracks selected from the titles that have been produced as single-layer SACDs from Deutsche Grammophon's analog period recordings as a Japanese original project. DISC1 contains symphonies and orchestral pieces. DISC2 contains concertos, chamber music, instrumental music, and vocal music from a wide range of classical music genres. Available for the price of one SACD. Celebrating Deutsche Grammophon's 125th anniversary.

'Nuff Said! Is an album by Jazz singer/pianist/songwriter Nina Simone. In 1969, the album was placed on peak 44 in R&B Albums Chart. The album received an Emmy nomination and featured one of Nina's biggest hits in Europe: "Ain't Got No, I Got Life". On the album are great songs like "In The Morning", "Please Read Me", "Gin House Blouse", and "Take My Hand, Precious Lord". It was recorded (excluding tracks 1, 8, 11) at Westbury Music Fair on April 7, 1968. This was three days after the murder of Dr. Martin Luther King. The whole program that night was dedicated in his memory.

Introducing "Ansonia Records Presents - Salsa Con Estilo - Dance Floor Gems from the Vaults: 1950s - 1980s," a vibrant compilation that traces the musical journey of salsa through the iconic NYC-based Latin label, Ansonia Records and its founder Rafael "Ralph" Pérez. A trailblazer in the U.S. recording industry, Pérez played a pivotal role in shaping the Latin music landscape, particularly during the label's heyday from the 1950s to the 1970s.

In July of 1960, in protest against what they considered the failings of the jazz scene and the accelerating commercialization of the annual Newport Jazz Festival, Charles Mingus and Max Roach staged their own "rebel" festival at nearby Cliff Walk Manner, RI. The rebels set up their own tents for sleeping, built their own stage, handled advertising, promotion, ticket taking and MC duties. By all accounts the concert was wholly inspired and a peaceful affair. Meanwhile, what was supposed to be an alternative festival turned out to be the only one in town. Unable to disperse an intoxicated mob of young people seeking access to the sold-out show at Freebody Park, the actual Newport Jazz Festival ended abruptly in a full scale riot. Despite the fact that these sessions were held in the studio, the music reflects the high-spirited freedom of the best jazz played at the original setting with nearly all of it improvised during the recording. Of particular note is the Booker Little track "Cliff Walk," which features both Max Roach and Jo Jones, two of the greatest jazz drummers ever, trading off. The LP includes extraordinary liner notes written by Hentoff himself, giving a context and insight that adds to the experience of hearing these magnificent performances. This recording is remastered by legendary mastering engineer, Bernie Grundman.

Jay and Americans are a classic American rock and roll band that was popular in the 1960s. Their music is known for its catchy, upbeat sound and memorable melodies. If you're a fan of classic rock, or if you're looking to explore the music of this iconic era, then you'll definitely want to check out "Their Best Album" by Jay and Americans.
This album is a must-have for any music collection. It features many of the band's greatest hits, including "This Magic Moment," "Come a Little Bit Closer," and "Cara Mia." These songs are sure to get stuck in your head and have you tapping your feet along to the beat.